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What do we have here? What I know is that number one Well, I'm going to work on the color grading color correction. And then I'm just expanding the interview. You move to export, right? So let's let's let's move up here. I'm taking what you need to do before you.
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I'm not talking here about how to take it. I would say, for the purposes off taken into the venture resolve. Work on a duplicate because we're gonna mess with this stuff severely. So you just right click on reveal sequencing project on you go in, duplicate your timeline. Well, by the way, um, duplicate your timeline, duplicate your timeline. What does that actually mean? Picture? Look, what are the consequences of fact? Consequences means that let me just explain this one. The most important reasons why things don't get done. OK, enough about picture lock because it is one of the most important things in one off.
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You reach picture lock, then you move to collaborate in on audio.
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There's discipline that needs to be established here. If I work in premiere, our country things more. Yes, you may think Well, actually, I can tweak things even if I work. But you can only do it once you have reached the, um, picture lock. You could go on and call a great and color are actual footage in Premier. You could do it in Actually convicted Premier. Actually, this this concept has nothing to do with applications. Look, first on Lee, then you move to the centuries old for color correction uncle grading and you move to or any other software. If you're going to go take it to color grading, then you may be going to drop something at something else and it's you don't do that. I mean, the editing, the overlap in between videos when you have already sent your all your for post production or you're already working on it because you're gonna keep changing your sequins and reworking everything on Indy audio. You can Onley work on the audio as in post production of the audio, whether your do it yourself or you give it to somebody else to take care off, you need to reach picture. You need to stop edit him and stopping editing basically means Victor Lock. There comes a moment in the life of film for sexual document documentary project where it needs to come out and to be and to come out it needs to stop. What if I had that one? That temptation to keep improving things is what makes projects never see the light. I know there's a temptation always to say I can make it better. Graydon, once you have reached picture, look, picture lock basically means that you are not going to change anything. So why? Why are we address in this stuff? There are few concepts that you need to understand. How many more audio tracks? But we're talking about color grading and color correction, and we're talking about image. Actually, you have many more video tracks. Okay, so this is like a typical project, and you would have you could have even much more. Tracks of audio, Some are dialogue, Some are music, summer and being sound. We've caught a few layers tracts of video, We've got different layers. I'm talking about what stage do you need to reach before you can think off moving to dive into results? What things do you need to make on do already in Adobe Premiere before you could move to the venture results? All right, so this is an example for a project that we have in front of us and we have sound. We're not talking here only about how to do it. It's about preparing your project on timeline to be ready for export to Da Vinci. Picture Lock and prepare timeline: If you are coming from Adobe Premiere and you want to take your project to definitely result for color correction and collaborating, there are a few things you need to be careful with.
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